Forfatterens individuelle estetikk i gjendiktning
The book poses a question about the functioning of the individual aesthetic features of a writer in the translation. The author examines this multi-faceted problem from the comparative perspective, analyzing the poetry of Wislawa Szymborska and Czeslaw Milosz translated to the Norwegian language. Two novel analytical models were used, first based on the Walter Benjamin's concept of aura and the ...